"Inglorious Bastards," Quentin Tarantino is a big, bold war movie that will infuriate some and hit others, and again demonstrates that he is a director and a modern Don Quixote. For those who do not know (after so much time with the premiere in May at Cannes, I do not think it would be a spoiler), he gives the Second World War a much-needed alternative ending. This time the bastards get what deserve. From the name of the torn second-rate film of 1978, to the music of Ennio Morricone for westerns and key points of the film - the cinema, the picture is riddled with Tarantino love for films. Deep, rich colors of the film tridtsatipyatimillimetrovoy deliver the tactile pleasure. The characters at the beginning and end, not seen among this, history looped. Actually, the "bastards" wild fighters abandoned the Nazis in the rear, are valued by reference to the "Dirty a dozen.

" And, above all, there are three characters, icons, described extensively and lovingly hero, and Nazi girl. The three men, played by Brad Pitt, Christoph Waltz and Melanie Laurent, only confirm the ability to take the character and Tarantino turn it into a character: categorical, larger than life, coming to satire in its intensity, but not too much - it's already too much. For example, they seem to be more significant than most people we meet in movies. The story begins in Nazi-occupied France at the beginning of the war, when fierce, funny Nazi Colonel Hans Landa (Waltz) appears in a closed dairy farm, where according to some sources are hiding Jews.